Monday, October 6, 2014

The Path(os) through Outer Space

Why so sad?
Occasionally, hearing solely the first chord of a song can establish the feeling of an entire song. This is because of major and minor keys in music. Without going into extensive music theory, major keys are known for sounding bright and cheery, while minor keys are known for sounding grim, sad, or solemn.

The Chris Hadfield rendition of this song applies to one of those cases; the first piano chord carries a strong sense of sorrow. This is the first emotional appeal, or pathos appeal, found in the 2013 cover of Space Oddity.

Zero Gravity fun!
The first verse continues this feeling, forcing the listener to ponder the source of the sorrow. Hadfield even carries a troubled, mournful face so seemingly no reason. After all, Mr. Hadfield IS in outer space, and appearing to be having a great time in his zero-gravity home…

With the first chorus comes a chord shift to a less solemn sounding tune, as other elements in the lyrics and video begin to appeal to listener’s emotions.

The music video over the chorus appeals particularly to the human desire for adventure. Hadfield it depicted doing several tricks in the zero-gravity environment, such as spinning a guitar, or soaring down a corridor.


The final element seems to only hold power if the listener has also heard the original of the song, David Bowie’s Space Oddity. Toward the end of David Bowie’s version, Major Tom floats away into space, losing all contact with ground control in a sorrowful conclusion. On the contrary, in Chris Hadfield’s rendition, the end of the song brings a safe landing on earth. Instead of the original lyric “Tell my wife I love her very much”, Hadfield instead chooses “our commander comes back to earth”. A listener familiar with the original song will find this new line encouraging, as their favorite Major Tom will, this time, find his way back to our blue planet earth.

~Greg Fiola

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